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Shuford delivers a call-and-response to himself as plucked arpeggios explore, reconfigure, attack and decay throughout the song's patient buildup and closing cascade. The languid "Continental Breeze" expands that search over a bed of electronic hums and a repetitious four-note fingerpicked motif.
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Shuford has used that impressive roster, and now Theoxenia, to pick through the sinew and bone of psych-improv, roots music and drone, with each group encased in a skin of homespun folk-gnosticism. Since the early 1990s, the New Yorker has been a founding member of No-Neck Blues Band, Egypt Is the Magick #, Enos Slaughter, D. The song and album are a solo project of David Shuford, who employs an arsenal of traditional and contemporary instrumentation including bouzouki, kanjira, mandole and synthesizer. "Continental Breeze," the closing track from Theoxenia's new album (Adventures in) Stasis, blends classical antiquity and 21st-century sonic experimentation. "Ain't Never" depicts the realities of the value system that Ray Meezy and D~collins live by, as the cousins rattle off the personal ethics that define their actions. "Ain't never ran from no n****, always stood ten toes / Ain't never pillow talk on no n****, ain't never f****** told," raps D~collins. "Ain't Never" is a techno-pop instrumental filled with bars far from the carefree cookie-cutter lyrics that accompany similar beats. This song blends both artists' similar yet distinct styles into one cohesive sound, tapping into another meaning of the mixtape's title. A song from the tape that embodies this is "Ain't Never" - an electronic, rhythmic trap hit. These two cousins released their first project together this month, Same Difference - a title and mixtape Ray Meezy says is meant to showcase their ability to transcend the boundaries of any one specific style of rap. Ray Meezy and D~collins are small town rappers with ambitions and skills to take them much farther than their hometown of Greenwood, S.C.